Instructor Retreat

September 24, 2011

This past week I was  assisting in Penland’s letterpress studio for the Instructor Retreat. It was an amazing event at which about 100 instructors came to work and experiment in new mediums. Above is a shot of Matthew Hebert‘s Arduino demo. It blew my mind.

September

September 16, 2011

We caught the tail end of the summer at the beach last week. It was splendid. Now it is back to work. I am busy enameling the Core Book for this year, sending off the Core Show postcard to print (send me your address if you want one), applying for grants, getting my work photographed, and most importantly hanging out with my niece.

Summer is escaping.

August 22, 2011
Summer is escaping so quickly. The past few weeks have included an enlightening Japanese Woodcut class with Keiji Shinohara, the Core Fellows open house during the annual auction here at Penland, and now a lot of catch up work on my session off. I felt very lucky to get to take a class with Keiji, he is an incredible teacher. The most exciting new technique I learned in his class was Woodcut Intaglio which you can see a sample of above (more to come). The Core open house was also amazing. We got a lot of positive response and my furniture designing roommate Jack Mauch got a nice little write up on the American Craft blog. As far as catching up on my session off I have been checking a lot of things off the old to do list. It feels splendid.

Things that happened in-between

July 31, 2011

 

Photo

July 23, 2011

This past session at Penland I took my first black and white photography class. I really enjoyed the whole process of photography, but most of all I loved printing. Hanging out in the dark room is such a weird time warp, the hours seem to roll past.

Iron Two

June 26, 2011

Here are  a few process shots of the tent project I have been working on in the iron studio. Planning this project was a completely new experience and when it all came together at the end I could hardly believe that I measured everything correctly. Now I have a few weeks off to focus on drawing. After that is is on to the photo studio.

Iron

June 19, 2011

At the last-minute a spot opened up in Eric Ryser’s etched steel class and I jumped at the chance. This is my first time in the iron shop and there has been a lot to learn. The pictures above are a few process shots, a picture of the piece Seth etched and forged, and a few shots of the plates I am working on. By the end of the week I should have a tent sculpture made to look like an old tin toy.

Five more days of class.

June 11, 2011

I thought I was going to be so entranced with enameling that I wouldn’t get around to making books. Turns out I like both enameling and bookbinding pretty well. The final photo here is of just about everything I made in class. The lovely Amy Tavern sat down with me on Friday to talk a little about what I made and how the work I did in the spring has carried over into the Summer.  I feel incredibly lucky to have had such wonderful teachers this session and to have friends like Amy around to help me see things more clearly.

Five days of class

June 4, 2011

This week I was introduced to enamel in my class with Elizabeth Turrell and Eileen Wallace. Above are five pictures of my bench, one from each day of class so far. Working with enamel and metal has been an exciting departure for me. Stepping away from prints which really aren’t supposed to be touched and exploring stoned enamel which seem to beg to be touched.

Things that happened these past few weeks

May 29, 2011

I got a real nice break between Spring and Summer classes at Penland. My adventures took me up to DC, down to Wilmington, and for a walk to Deer Park lake. After such a mind blowing Spring the negative space of the break felt much needed and welcome.  Summer is upon us now and my first night of class is tonight. This is the class description: Elizabeth Turrell & Eileen Wallace – Enameling for Books & More- Students will learn enameling and bookbinding techniques to create books whose covers are partially or completely made of enameled panels or components. We will use both wet process and/or jewelry enamel on thin steel and copper. Enamel techniques include sgraffito (drawing), stenciling, simple relief printing, and decals. Tactile surfaces—including text or imagery—can be produced by etching or incising prior to enameling. We will then create books that fully integrate the enameled elements into innovative and exciting structures.

 


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